The Castle of Leiria (Portuguese: Castelo de Leiria) is a medieval castle in the civil parish of Leiria, Pousos, Barreira e Cortes, municipality of Leiria, district of Leiria.

History

The castle of Leiria was built by D. Afonso Henriques for the purpose of creating a line of defense against the Arabs. In 1142 he reinforced the defense of the castle after regaining Leiria. D. Sancho I ordered erection of the walls of the castle in 1195. In 1324 D. Dinis ordered construction of the keep (Tower of Menagem) which was completed only during the reign of D. Afonso IV. In the early 16th century D. Manuel ordered a sacristy to be built between the main chapel and the bell tower.

Throughout the centuries the castle gradually lost its military value. It was badly damaged during the French invasion. At the end of the 19th century restoration of the castle started in 1915 by the initiative of Liga dos Amigos do Castelo. The restoration project was directed by Ernesto Korrodi between 1921 and 1933, and then by Baltazar de Vastro.

The castle hosted important events as the meetings of the first courts called by D. Afonso III; became the residence of D. Denis and Queen Elizabeth; transformed into a meeting venue for the new court in the reign of D. Ferdinand I and the marriage of D. João I’s son D. Afonso was celebrated in this castle as well.

It has been listed as a National monument since 1910.

The castle was damaged by the 1969 earthquake.

Architecture

The present configuration of the castle of Leiria was influenced by the 4 major construction periods: the 12th century’s Romanesque, the 14th century’s Gothic Dionysus, the early 15th century’s Gothic Johannine and the restoration trends of late 19th and early 20th century.

The shape of the castle is irregular polygonal with solid walls and towers. Paços Reais (Royal Palace), the Church of Nossa Senhora da Pena, Menagem Tower, the former Collegiate space, and medieval barns are located inside the complex. The castle has 4 floors; the lower two floors are hardly seen from outside and are intended for domestic services. There is a large loggia with eight arches of twin capitals. The loggia has the panorama over the city and was used as a place for leisure and socializing. The loggia is accessed through a room called Royal Hall or Noble Hall which has a total area of 130 square meters used for receptions by monarchs.

Stonemasonry, brick and concrete were used in the construction.

Castle of Leiria

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The first defensive fortifications date back from the period of Roman occupation. This primitive defense would have been increased in the following centuries, successively by Visigoths and Muslims.
Porto de Mos became a strategic point in the defense of Leiria and Coimbra during the Christian Reconquest of the Iberian peninsula. With the encouragement of the settlement under the reign of D. Sancho I (1185 - 1211), the town prospered, and its defense received important works of improvement.
The defensive structure of the castle was severely damaged by an earthquake in 1755 and, again, in 1909. It was classified as a National Monument in 1910.

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Castelo de Porto de Mós

Ourém Castle is one of Portugal’s most innovative 15th century military architectural works. Commissioned by the Count of Ourém, the grandson of D. Nuno Álvares Pereira, the castle has a compact structure with modern active defensive system, including two large pentagonal towers that served as bulwarks and offered greater resistance to enemy fire.

There is a palatial residence located behind the towers that served as the Counts’ dwelling. It has the form of a wide tower connected to the bulwarks.

On top of the hill, slightly set back from the palace and the castle, is the primitive 12th century castle of “Abdegas”, that bears the ancient name of this settlement.


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Castelo de Ourém

The Castle of Pombal (Portuguese: Castelo de Pombal), is a medieval castle in the civil parish of Pombal, municipality of the same name in the district of Leiria in the Centre region of Portugal.

History

Around 1128, the Castle of Pombal, site of a former Roman castro and Arab fortress, was donated to the Knights Templar by Afonso Henriques in order to defend Coimbra, and which included a vast territory of land. The transfer of its control at this time, was seen as an important military position, owing to its successive generations of fortification and disputes between Christian and Muslim forces.

The construction of the Romanesque fortress began in the middle of the 12th century (in either 1155 or 1156), and continued practically until the century's end; the construction of various towers was made to serve, stabilize and reinforce the wall, and help to repopulate the town. It is likely that work started on the encirclement of the position and later to the construction of the keep (around 1171), and includes an alambor, a defensive feature to mitigate attacks close to the walls.

In 1171, the keep was constructed in the castle courtyard; during this period of the passive Reconquista, the keep served as the last defensive bastion, acting as the Lord lieutenants personal stronghold. At the conclusion of the project an inscription was carved over the door to the keep, something promoted by D. Gualdim Pais in the medieval period, while in 1353, the castle and village were donated to the Order of Christ. The plaque was later removed and deposited in the Convent of Christ in Tomar Municipality, on request of Prince Henry the Navigator (between 1420 and 1460).

Little changed during the early Middle Ages to the Romanesque fortification, and only re-thinking of its battlements were identified in the reign of Manuel I of Portugal, which included the definition of the barbican and reinforcement of the medieval walls.

A similar reconstruction of the Church of Santa Maria do Castelo began in 1560, under the alcalde Pedro de Sousa Ribeiro, an antecedent of the Count of Castelo-Melhor, who held the governorship since the reign of Afonso V until 1834.

The castle lost its military importance during the modern era, and was attacked by French forces during the Napoleonic Peninsular War. French troops commanded by General Ney caused sevre damage to the castle during the peninsular invasion in 1811. The following year, the baptismal fountain was transferred from the Church of Santa Maria do Castelo to the Church of São Martinho. Although partially restored in the 20th century, most of the settlement began to concentrate along the flanks of the hilltop or lowlands.

In 1923, a formal request was sent by the Municipal Council of Pombal to the Ministry of War (Portuguese: Ministério da Guerra) soliciting the transfer of the Castle to their authority. The following year, on 7 December 1924, the castle was given by the same ministry to the Núcleo da União dos Amigos dos Monumentos da Ordem de Cristo em Pombal do Castelo. The transfer included land in the village and ancillary terrains, that constituted Military Camp No.1: "in the municipal square the transfer of the ruins of the castle to the Núcleo, demarcated by 32 stone markers, numbered successively from the north to south, from the east, and numbered with the abbreviations M.G....To the Núcleo went the responsibility to conserve and guard the property, with the assistance of the Ministry of War, when necessary; the concession and title was free, with indefinite time limit, while property remained in the hands of the Ministry; the Núcleo was forbidden to perform whatsoever remodelling, even recuperations that involved demolish or new constructions in masonry, or movements of land in the esplanades, without a written license from the Ministry of War". This contract persisted until 1931, when the Núcleu was dissolved: the concession was transferred to the Comissão de Iniciativa e Turismo de Pombal (Pombal Commission for Initiatives and Turismo).

In the years preceding the Portuguese World Exposition in 1940, there were several initiatives to restore or recuperate the site. In 1933, a request to construction a roadway to connect the Castle to Pombal, which was authorized and registered by the Ministry of War. A similar request was sent to the Ministry in 1934, that proposed the planting of trees and landscaping, which was approved by the executive commission of the Municipal Council and authorized by the Conselho Superior de Belas Artes.

In 1936, the stone masonry was repaired and the walls were reconstructed to match those that existed. Similarly, in 1937, more repairs were completed on the walls, including the corners, chemin de ronde, parapets in the southern facade; reconstruction of the stoneworks, chemin de ronde, vaulted arches on the southern and western facade; construction of the roof frame in the keep; construction of pavements and staircase, between the floors of the keep; replacement of the exterior gates; and excavations in the military square. This continued into 1938 with the reconstruction of walls to a state comparable to its original construction; the complete reconstruction of the southern barbican, including the consolidation of the crenelations, battlements and staircases to better resemble its original state.

On 13 April 1939, the Castle was transferred to the Ministry of Finances (Portuguese: Ministério das Finanças). By the time of its transfer, the castle was in a state of ruin, and included an ancillary terrain, covering 25,537 square metres (274,880 sq ft), at the time equivalent to 200.000$00escudos. The castle included walls and barbicans, as well as the main tower/keep, marked by a public road to the north.

The site was only electrified in 1956, while "festive" lighting was installed in 1959, by the Serviços dos Monumentos Nacionais (National Monument Services), in collaboration with the Municipal Council.

The exterior and interior walls were cleaned in 1970, with cement reinforcement of the chemin de ronde, reinforcement of the joints and repairs to the main gate. Likewise, around 1975, the pavement and coverings in the keep were redone, including access stairs; repairs to the second-floor staircase and the construction of a protective covering; the second and third-floors were re-tiled; while the main floor and main gate were cleaned and repaired.

Around 2000-2001, the keep was reassessed with repairs undertaken. In 2004, the Municipal Council of Pombal presented a project to requalify and revalorize the Castle and its grounds, which at the time was being studied by the IPPAR Instituto Português do Património Arquitectónico (Portuguese Institute for Architectural Patrimony). Comparably, in 2005, the main keep was converted into a museum. In November, of the same year, a risk assessment for the castle was undertaken by the DGEMN Direcção Geral dos Edifícios e Monumentos Nacionais (General-Directorate for Buildings and National Monuments).

Architecture

The rural castle is located on an elevated hilltop overlooking the town of Pombal, on the right margin of the River Arunca. Alongside its accessway is also located the town's main cemetery.

The structure, in the form of a shield, is encircled by walls and chemin de ronde, broken by prismatic merlons and reinforced at its vertices and regular intervals by rectangular cubels. The principal wall is broken by two arched doors: one to the southeast between towers, and another larger door to the northwest, surmounted by a royal coat-of-arms, between armillary sphere and Christian cross.

The keep tower is a rectangular two-storey structure above a sloping base, close to the southeast gate. This dungeon was later transformed into an exhibition hall for the castle. In the castle courtyard are the visible foundations of other dependencies, as well as the holes of the cistern.

Along the southwest wall, is a double window, with which is a sculpted stone coat-of-arms of the Sousa Ribeiro clan, historical alcaldes of the castle. In front of the southeast gate, to the northwest, are the vestiges of the barbican.

Outside the exterior walls, on a lower terrace on the mountain-top, are the ruins of a second series of walls, with three rectangular towers and a chapel of the Church of Santa Maria do Castelo. The chapel is dressed in square stone, decorated in the Renaissance-style of the period. Observable in one the fragments of the grave-stones of the chapel is the 35-×-75-×-17-metre (115 × 246 × 56 ft) limestone inscription dedicating the grave to Sebastião de Almeida. Of the Renaissance retables originally located in the Church, produced by João de Ruão and Jácome de Bruges, one was relocated to the Church of São Martinho, while another to the Church of the Cardal.