The Castello di Montecuccolo is a castle in Pavullo nel Frignano, Modena, Italy.
Construction
The castle's primary tower was built in the 11th century as a watchtower for the protection of the surrounding town. A defensive wooden palisade was constructed at its base. In the 12th century, an adjoining fortified house was built along with stone walls to replace the palisade.

Over the course of the 13th and 14th centuries, new buildings were constructed and the walls were extended to encompass them, creating an enclosed piazza. During the 15th and 16th centuries a church - the Church of San Lorenzo - was built enclosing a second, smaller, piazza at a lower level than the older castle buildings.

History
It was the birthplace of the 17th century condottiero Raimondo Montecuccoli.

Castello di Montecuccolo

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Il castello di Sestola è una rocca che sorge su di uno sperone roccioso nel comune omonimo, in provincia di Modena, in Corso Umberto I.
Territorio
La posizione strategica di controllo delle vallate dello Scoltenna e del Leo, infatti, la poneva in una posizione di controllo all'accesso alla parte sud del Frignano. La parte vecchia del paese sorge a ridosso di questo antico insediamento.

Storia
L'antica rocca, così come ci appare oggi, è stata ricostruita verso la metà del XVI secolo ma è di origini molto più antiche: il primo documento in cui si nomina il castello di Sestola è il Diploma di Astolfo del 753 d.C., col quale il re dei Longobardi faceva dono del Castrum Sextulae (l'attuale Sestola) e dei territori adiacenti all'Abbazia di Nonantola, allora fondata da sant'Anselmo. Nel XIII fu teatro di scontri e assedi tra modenesi e bolognesi, Sestola era già un piccolo comune autonomo. Dal 1337, grazie alla sua posizione centrale e facilmente difendibile la fortezza fu sede del governatore del Frignano nominato dagli Estensi.

Al decadere della capitale del Frignano, nell'Ottocento, il castello fu trasformato in penitenziario, che rimase in attività fino al 1866.

Sul finire del XX secolo la rocca subì un'ulteriore trasformazione ospitando un osservatorio meteorologico e un Istituto estivo per la cura dei bambini.

Nel 1964 il castello era adibito a scuola elementare con internato ed ospitava bimbi del Nord Italia assistiti dall'ANEA.

Castello di Sestola

Rocchetta Mattei is a fortress located on the Northern Apennine Mountains, on a hill which is 407 meters above sea level, in the locality of Savignano in the municipality of Grizzana Morandi, on the Strada Statale 64 Porrettana, in the Metropolitan City of Bologna.

Built in the second half of nineteenth century, it blends various eclectic styles, from Medieval to Moorish.
Rocchetta Mattei was the home of count Cesare Mattei, a scholar, politician and self-taught physician who founded electrohomeopathy, a practice founded on homeopathy.

On November 5, 1850, the first stone of Rocchetta Mattei was laid, and as early as 1859 it became habitable and eventually Cesare Mattei’s permanent residence. Inside Rocchetta Mattei, the count led a life as a medieval castellan and even created a court, complete with a buffoon.

The castle hosted illustrious individuals who came from everywhere to undergo Mattei's treatment, including Ludwig III of Bavaria and Alexander II of Russia. In 1925, there was an official visit by the Prince of Piedmont. Even Fyodor Dostoevsky quotes the Count in The Brothers Karamazov, when he tells the devil he managed to recover from terrible rheumatism thanks to a book and some drops from Count Mattei.

Rocchetta Mattei

While archaeological exploration and restoration of the fortified Sarzana castle complex in Casina (province of Reggio Emilia) were proceeding, some preliminary archaeological campaigns were conducted contemporaneously with execution of the architectural restoration works. The archaeological campaigns, conducted in two distinct phases, revealed the structure of a church inside the castle walls associated with a group of interment burials. Habitation at the site is documented from the Tenth century. All traces had been lost of the church. Excavations identified the apse as the oldest phase of building dating to the Roman era with at least two successive building phases until the church was deconsecrated in the mid-Nineteenth century. The archaeological and restoration works revealed the relation between the castle fortifications, the place of Christian cult and the burial ground. The historical research related to the archaeological investigation and restoration works is being conducted now. Results will be published in a book dedicated to this fascinating corner of the Apennine range that was so profoundly linked to the historical events and settlements of the Attonidi feudal lords.

https://www.tecton.it

Castello di Sarzano

The castle, probably dating back to before the 11th century, formed part of a vast fortified system made up of the forts of Rocca S. Maria, Fogliano, Nirano, Torre delle Oche and Fiorano.
In the late Middle Ages, under the rule of the Da Spezzano and Da Castello Signoria, or Lordship, the castle was made up of simple, functional forms: first, a boundary wall, initially in perishable material, the keep, one or two towers, a few houses, the well and particularly the granaries and storage houses for the harvests from the introduction of the moat in the 14th century, the castle was accessed by way of a drawbridge to the north.

Until the 15th century, the castle acted as a place of defence and refuge for the people, having watchtowers and pentagonal towers for visual communication, and succeeding, particularly during the wars of the 14th century, in resisting against attacks and sieges, like the one in 1355, during which the Este troops failed to storm the castle and take it by force from the ruling Visconti family. In 1395, marquis Alberto d’Este granted the castle in fief to Marco Pio, earl of Carpi. In the early years of the 16th century, Alessandro Pio of Savoia reorganised the State of Sassuolo, establishing Spezzano Castle as one of the five seats of the Podesta’. With the Signoria of the Pio di Savoia, the castle began to act as a residence of the lord, or ‘signore’ as well as a political, administrative and legal centre, leaving behind its function as a medieval fort.

In the last room on the ground floor of the west wing, restoration work brought to light a wooden ceiling decorated with polychrome panels bearing heraldic coat-of-arms (Pio and Bentivoglio), the initials of Enea Pio and the date 1531, which can be considered the end of the first phase of construction of the palazzo, which also includes, on the first floor of the castle, the Gallery of Battles e and its pictorial cycle and, in the Old apartment, known as Clelia and Marco’s, the bedroom with the marital coat-of-arms. The second phase, destined to complete the western and northern façades and mainly focused on decorative work, began in 1587, when Marco III Pio acquired the state of Sassuolo. Surviving of these works are painted architraves on the main floor, or piano nobile and the extraordinary Hall of Views on the ground floor.

At the end of the sixteenth century, presumably between 1595 and 1596, Marco III Pio (1567-1599) had painted, in the main room of Spezzano castle, the principal sites of his dominion: a sequence of no fewer than 56 views which featured even the smallest corners of his fief, made up of property in Modena and more in Sabina, received, in 1595, as a dowry from his wife Clelia Farnese, whom he married in Palazzo Farnese in Caprarola (Viterbo) on 2 August 1587.

The main room was thus decorated by Cesare Baglione with a cycle of paintings aiming to celebrate the power of the Pio di Savoia through the depiction of castles, towns and villages, from the plains to the mountains, belonging to the State of the Pio family, divided into five districts of the podesta’: Sassuolo, Spezzano, Formigine, Brandola and Soliera.

The fresco cycle, geo-iconographic and landscape in nature, finished in the vault of the room with the depiction of a crowned woman, the personification of Pietas, bearing the quartered Pio shield and the motto "Pia Soboles", the Pio dynasty.

The substantial restoration work, carried out in the mid nineteenth century, led to the cancellation of the paintings on the vault, as well as of the Pio shield, which can still be made out beneath the depiction of Spezzano dating back to that time. Painted in the Gallery of Battles, on the piano nobile of the castle, are epic feats that featured (from 1509 to 1512) Alfonso I d'Este, Duke of Ferrara, Modena and Reggio as the protagonist.

Meanwhile, around 1735, the Marquis Luigi Coccapani saw to the first restoration of the frescoes in the Hall of Views, while the cycle of paintings in the gallery were (or perhaps already in the previous period) completely cancelled.

Their rediscovery occurred following the disclosure and restoration work concluded in 1992.

The lower floors of the pentagonal tower at the south/east corner, inside the castle boundary wall, are home to suggestive dungeons bearing prisoner’s etchings and graffiti, while the second and third floor hosts the Municipal Vinegar Factory made up of three vats of Traditional Balsamic Vinegar, complete with information panels and original furnishings. Marco Pio di Savoia died in 1599 and after a brief period of government led by the Este family, in 1629 the fief and Spezzano castle was transferred to the Marquis Guido Coccapani, whose family ruled until 1796.

During this period, besides its fundamental role as a residence and centre of the Signoria, the castle was also used for meetings of the Municipal council. In the Chamber called “della Ragione”, the Council met in the presence of the Podestà to elect the regents and officials of the Municipality and to deal with local affairs. Inside the castle was a court, known as the Pretorio, where the Podestà sat to serve justice and, next to it, rooms used as the judge’s residence. There were also four prison cells, located at the base of the two towers, on the south side and inside the home of the Podestà.

In the years that followed, the abolition of the court, the final dissolution in 1809 of the Municipality of Spezzano and the change in the castle’s judicial status definitively sealed the transformation of the building into a sumptuous manor house. In fact, in 1810, the Spezzano castle went back to being a private residence, for the Coccapani Imperiali family, which carried out various extension and restoration work, particularly in the years between 1862 and 1890; the castle was also given a new façade on the south side, by building a castle-style boundary wall with rectangular or Guelph battlements and large servants quarters, today used as a restaurant and caretaker’s house. Spezzano castle belonged to the Coccapani Imperiali family until the end of the nineteenth century, when it was inherited by Counts Pignatti Morano.
The Municipality of Fiorano then purchased the building in 1982, launching at that time both its restoration as well as historical–cognitive research into the castle.

https://www.visitmodena.it