The Château de Tanlay at Tanlay (Yonne) is a French château built in Burgundy during the sixteenth and seventeenth centuries, famous for its beauty and the setting. The walls are of limestone under tall sloping slate roofs à la française, surrounding three sides of a central court with cylindrical towers at its four corners. The château is entirely encircled by its rectilinear moat and approached on axis across a bridge marked by paired obelisks through a gatehouse (illustration) built in 1558, which straddles the low balustrade and projects forward into the moat. The perfect symmetry of the cour d'honneur is part of Tanlay's serene charm.
The foundations are in part those of the thirteenth-century château-fort. The rebuilding in Renaissance style is owing to the brother of the Admiral de Coligny, François de Coligny d'Andelot (1521-1569), who inherited the site in ruinous condition in 1547 and whose construction campaigns of 1555-1568 during the Wars of Religion, when Tanlay was a center of Huguenot resistance, left the residence uncompleted. Building was recommenced afterwards by Michel Particeli d'Hemery, the surintendant de finance under Mazarin, who completed the château to designs by Pierre Le Muet between 1643 and 1649. Since 1700 the property has remained in the family of the man who was created marquis de Tanlay in 1705.
The house is also renowned for its gallery painted in trompe l'oeil and for the frescoes in the Tour de la Ligue ("Tower of the Huguenot League"), in which the antagonists of the War are represented in the guise of Olympic deities, and for its mellow stone and its remarkable canal, moats and grounds, which include a nymphaeum or théâtre d'eau by Pierre Le Muet.

Château de Tanlay

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Château d'Ancy-le-Franc is a Renaissance-style château of the 16th century located in the town of Ancy-le-Franc in the department of Yonne, in France.
The site was originally occupied by a 12th-century fort, which survived until the end of the sixteenth century.
Construction of the existing château began in 1544, at the request of Antoine III de Clermont, brother-in-law of Diane de Poitiers and son of Anne de Husson, countess of Tonnerre. The design of the building is traditionally attributed to the Italian architect Sebastiano Serlio, who had been invited to France by King Francis I. Following Serlio's death in 1554 at Fontainebleau, architect Pierre Lescot, took over the work, respecting the original plans of Serlio. The interior design is the work of Francesco Primaticcio, who was working at château de Fontainebleau at the time.
Antoine de Clermont died in 1578 and his grandson Charles-Henri de Clermont, completed the interior. Fully completed, the château was now able to host prestigious guests such as Henry III (brief visit), Henri IV in 1591, Louis XIII in 1631 and Louis XIV in 1674.
In 1683, the Clermont-Tonnerre family was forced to sell the land of Ancy-le-Franc and the château to François-Michel Le Tellier, minister of Louis XIV. The following year, Louvois acquired the entire County of Tonnerre, (including the including Château de Maulnes). Following this, he employed well-known landscape architect André Le Nôtre for creating pathways and gardens within the grounds.
After the French Revolution, the family managed to regain possession of the château. He restored the grounds as well as the interior of the château to its former glory.
In 1844, Ancy-le-Franc was sold to Louis Aimé Gaspard de Clermont-Tonnerre, a descendant of Antoine III of Clermont. It then passed between various hands, including those of the princes of Merode.
The château is currently owned by a private company, Société Paris Investir SAS, which undertook its restoration, and recognition as a national historical monument.
Description
The architecture of the château is the result of a mixture of French and Italian styles, a consequence of compromise between the French owner and Italian architect.
The château is built on a rectangular central plan. Four houses form a square and are each flanked by a projecting pavilion walls. This plan is based on plans called "pi" widely used in France at that time. Serlio separated the two levels by a wide ledge upon which the second level bays. Tuscan columns were used on the main level and Doric columns were used on the second level. On both levels, the bays were framed by pilasters. While there are currently windows within each bay, this was not originally the case. Serlio wanted to create a rhythm alternating between open windows and empty bays. Additional windows filled all the empty bays in the 17th century.
For the facade of the interior, Serlio used Corinthian columns on the first level and Composite columns on the second level. Again, he created a rhythm alternating between open windows and niches framed by pilasters. These niches are adorned with an inner shell. Serlio created a triple arcade on the ground floor, reminiscent of the Villa Madama.
Serlio was able to comply with the weight requirements of the building and it's steeply pitched roof in a manner similar to the Château de Villandry, using limestone from Burgundy.
Inside the château there are murals from drawings of Primaticcio or Niccolò dell'Abbate, as well as coffered ceilings, fine wood carvings, and various colorful ornaments.

Château d'Ancy-le-Franc

Château de Maulnes