Dating back to the Roman Empire after the conquest of Alsace by Caesar, the castle was part of intelligence measures to ward off Germanic incursions.
During the 12th century and onwards, Osthoffen became a fortified castle. Due to a siege lead by the Bishop of Strasbourg in 1410, fire raged through the building, depriving it of its 3rd floor.
An ancestor, the architect von Seebach, rebuilt the castle as a Rennaissance estate and a private dwelling, its military mission finally coming to a close after the Thirty Years War (1648).
 More changes came about with the 18th century  courtyard walls were removed and new wide windows enlightened both the façade and the interior. The castle lost its towers during the French Revolution by order of the new authorities, one of the first works undertaken by the new owner was to rebuilt them.
https://www.chateau-dosthoffen.com

Château d'Osthoffen

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The Château de Kolbsheim is located near the town of Kolbsheim, in the French Department of Bas-Rhin, in Alsace. It is 15 kilometers southwest of Strasbourg, overlooking the plain of Alsace.
The chateau has two wings, the oldest built in 1703. The upper part of the garden is geometric French garden, decorated with ponds, fountains, hedges and sculpted trees. The lower part is an English park, with many hundred-year old trees. Much of the garden was destroyed in the First World War, but was restored by the Grunelius family, the present owners.
The Garden is classified by the French Ministry of Culture as among The Notable Gardens of France.

Château de Kolbsheim

The Château des Rohan ("Castle of the Rohan") is a former castle and weapons factory now serving as a museum and cultural centre in the French town of Mutzig, Bas-Rhin, Alsace. The castle, whose structure goes back to the 13th century, belonged to several families of noblemen and bishops of Strasbourg before being turned into a rifle factory after the French Revolution. The castle is most famously associated with the House of Rohan and the Chassepot rifle.
History
Mutzig's castle's history goes back to the fortification of the town in 1274 by Rudolph of Habsburg. The medieval castle, a Wasserburg (i.e. surrounded by a moat derived from a canal) was heavily destroyed by the Swedes in 1632, during the Thirty Years' War, after having already been assaulted by Ernst von Mansfeld's troops in 1622. The city's and castle's masters, during these times marked by frequent battles and rivalries between feudal families, were alternatively and sometimes simultaneously the bishops of Strasbourg and the House of Zweibrücken.
The castle as it now appears is a Baroque structure. It was inaugurated in its present shape in 1673 to serve as the residence of the bishop of Strasbourg, Franz Egon of Fürstenberg. Fürstenberg was succeeded by his brother Wilhelm Egon. After the family of Rohan took over the bishopric of Strasbourg, the castle served as a residence to the dukes Armand Gaston, François-Armand, Louis Constantin and Louis René Édouard de Rohan, between 1704 and 1790. However, after the completion of the Palais Rohan of Strasbourg in 1742, the château, which had already been rivalled by the residences in Saverne, became only of secondary importance to the family. Mutzig's castle was disowned and pillaged during the French Revolution. In 1799, it was bought by the arms manufacturers, brothers Coulaux of Klingenthal, Bas-Rhin, who, on 20. April 1801, opened their weapons factory in its walls. The factory ran until the outbreak of the Franco-Prussian War in 1870. It is there, in the Manufacture d'Armes de Mutzig (also known as Manufacture impériale de Mutzig) that the native of Mutzig, Antoine Alphonse Chassepot fabricated some of his famous rifles, one of the most advanced firearms of its time. The castle was fortified again by the Germans in 1893. Today, the castle houses a cinema and a library as well as, since 1996, the municipal museum Musée régional d'armes (previously, since 1977, the Musée des Rohan) displaying a vast collection of historic rifles.
The castle is listed as a Monument historique since 1976 by the French Ministry of Culture.

Château des Rohan (Mutzig)

The Palais Rohan (Rohan Palace) in Strasbourg is the former residence of the prince-bishops and cardinals of the House of Rohan, an ancient French noble family originally from Brittany. It is a major architectural, historical, and cultural landmark in the city. It was built next to Strasbourg Cathedral in the 1730s, from designs by Robert de Cotte, and is considered a masterpiece of French Baroque architecture. Since its completion in 1742, the palace has hosted a number of French monarchs such as Louis XV, Marie Antoinette, Napoleon and Joséphine, and Charles X.
Reflecting the history of Strasbourg and of France, the palace has been owned successively by the nobility, the municipality, the monarchy, the state, the university, and the municipality again. Its architectural conception and its iconography were intended to indicate the return of Roman Catholicism to the city, which had been dominated by Protestantism for the previous two centuries. Thus the prelate's apartments face the cathedral, to the north, and many of the statues, reliefs and paintings reflect the Catholic dogma.
Since the end of the 19th century the palace has been home to three of Strasbourg's most important museums: the Archaeological Museum (Musée archéologique, basement), the Museum of Decorative Arts (Musée des arts décoratifs, ground floor) and the Museum of Fine Arts (Musée des beaux-arts, first and second floor). The municipal art gallery, Galerie Robert Heitz, in a lateral wing of the palace, is used for temporary exhibitions. The Palais Rohan has been listed since 1920 as a Monument historique by the French Ministry of Culture.
History
Up to 1871
In 1727 Armand Gaston Maximilien de Rohan, bishop of Strasbourg since 1704 and cardinal since 1712, commissioned the architect Robert de Cotte to design the palace; de Cotte provided initial plans the same year. Seven years prior, in 1720, Cardinal de Rohan had already charged de Cotte with renovation and embellishment works on his castle in Saverne, the predecessor of the current Rohan Castle. De Cotte had also previously designed the Hôtel du grand Doyenné, the first hôtel particulier in Louis Quinze style built in Strasbourg. The Palais Rohan was built on the site of the former residence of the bishop, the "bishop's demesne", which is recorded since at least 1262. The area itself is near the heart of the ancient Argentoratum, first mentioned in 12 BC. Diverse archaeological excavations on Place du Château, the square facing the palace, have unearthed many remains of the Roman camp.
Building work on the Palais Rohan took place from 1732 until 1742 under the supervision of the municipal architect Joseph Massol, who also worked on the Hôtel de Hanau and the Hôtel de Klinglin during the early years of the project. Massol was assisted by the architects Laurent Gourlade and Étienne Le Chevalier. The sculptures, including statues as well as reliefs, were provided by Robert Le Lorrain, assisted by Johann August Nahl, Gaspard Pollet, and Laurent Leprince, and the paintings by Pierre Ignace Parrocel (it) and Robert de Séry (fr). The ébéniste Bernard Kocke and the ironworkers and locksmiths Jean-François Agon and his son Antoine Agon worked on the furnishings of the apartments, while the stucco was the work of the Italians Castelli and Morsegno. A budget of 344,000 French livres had been established for the construction – 200,000 livres lent from the Cathedral chapter (Grand Chapitre) and 144,000 raised as local taxes over a period of twelve years – but the final cost is estimated at one million French livres. The palace is mostly built in yellow sandstone from Wasselonne, with pink sandstone for the less visible parts.
The House of Rohan owned the palace until the French Revolution, when it was confiscated, declared bien national ("state owned"), and finally auctioned off on 8 August 1791. Bought by the municipality, it became the new town hall (hôtel de ville) the same year, succeeding the Neubau. Much of the furniture and many of the works of art in the Palais were sold, and in 1793 the eight life-sized mural portraits of prince-bishops decorating the Salle des évêques (Bishops' Hall) were destroyed. They were replaced in 1796 by allegories of civic virtues painted by Joseph Melling. Only the portrait of Armand Gaston, the builder of the palace, was later restored to its original place with a 1982 replica of Hyacinthe Rigaud's lost painting. Melling also replaced the overdoor portraits of kings of France, decorating the same room with paintings of vases.
The Palais Rohan remained the hôtel de ville until 1805. That year, the municipality presented it to Napoleon, who returned the Hôtel de Hanau in exchange. Like the palace, the hôtel had been state-owned since the Revolution. The 1805 arrangement proved favourable for the municipality: the maintenance of the Hôtel de Hanau was less costly than that of the larger Palais Rohan. It pleased Napoleon, for whom the palace was the more conspicuous display of grandeur. As for the palace, imperial ownership meant renewed splendour. The present to Napoleon was officially accepted by decree on 21 January 1806; the interiors were then refurbished by the architect Pierre-François-Léonard Fontaine. In the years before the Franco-Prussian War and the return of Alsace to Germany, the Palais Rohan was the property of the French state, which was in turn an empire, a kingdom, a monarchy, a republic, and again an empire.
Since 1871
The year 1871 signified the end of French rule and the beginning of German rule over Alsace, which had until 1681 been linked to Germany through the Holy Roman Empire. Having lost the Franco-Prussian War, France had to cede the departments of Bas-Rhin, Haut-Rhin, and Moselle (the territory also known as Alsace-Lorraine, or Elsass-Lothringen in German) to the newly created German Empire. Now under new administration and having lost its residential purpose, the Palais Rohan had to be assigned a new role. Between 1872 and 1884, until the opening of the Palais universitaire, it was used by the newly established Kaiser-Wilhelms-Universität, the Imperial German version of the University of Strasbourg, as the seat of the faculties of law, philosophy, and sciences. The palace then served as the university's library until the opening of the National and University Library in 1895. After this, the palace again became the property of the city and was adapted to receive the municipal art collections that were being built up again by director Wilhelm von Bode after their total destruction during the Siege of Strasbourg (see below, Musée des beaux-arts). The first section of the new Kunstmuseum der Stadt Strassburg, established in 1898, was inaugurated in 1899.
After the return of Alsace to French rule in 1918, the new director of the Musée des beaux-arts and the Musée des arts décoratifs, Hans Haug (1890–1965), put major efforts into presenting the Palais Rohan as a coherent whole again. Strasbourg suffered during World War II, and on 11 August 1944 the palace was damaged by British and American bombs. After the war, restoration measures were soon undertaken under the supervision of the architects Robert Danis (1879–1949) and Bertrand Monnet (1910–1989), but in 1947 a fire broke out and devastated a significant part of the collections of the Museum of Fine Arts. This fire was an indirect consequence of the bombing raids: because of the destruction inflicted on the palace, the building had suffered from damp, which was treated with welding torches, and poor handling of these caused the fire.
Rebuilding and refurbishing the palace took until well into the 1950s, with full restoration not completed until the 1990s. In 1989 a large trompe-l'œil fresco depicting the Roman goddess Ceres was rediscovered behind layers of plaster and white paint in the former dining hall, the eastern wing of the Synod Hall (see below, Apartments). It is thought to have been concealed under Napoleonic ownership, and had been forgotten since.

Palais des Rohan

The Palais du Rhin, the former Kaiserpalast (Imperial palace), is a building situated in the German (north-east) quarter of Strasbourg (Neustadt) dominating the Place de la République (the former Kaiserplatz) with its massive dome. A huge building, it and the surrounding gardens, as well as the neighbouring stables, are an outstanding landmark of 19th-century Prussian architecture.
History
After the Franco-Prussian War, Strasbourg, then German, was faced with the question of an official residence for the Kaiser. The decision was made to create a building symbolic of imperial power, and after much debate, a square Neo-Renaissance design was chosen, remotely inspired by the Palazzo Pitti in Florence. The architect was Hermann Eggert (1844–1920), who had already built, among other things, the Observatory of Strasbourg.
Work began on March 22, 1884 in honour of William I's 87th birthday, and construction took five years. The project received a good deal of criticism, with many questioning the need and use of the building, its appearance, and its price of three million marks.
Inaugurated by William II in August 1889, the palace housed the emperor for twelve visits down to 1914.
During the First World War, the building was converted into a military hospital and in 1920 it adopted its current name when the oldest of the European institutions, the Central Commission for Navigation on the Rhine, moved in.
In 1923, the palace passed hands to the French state and today houses the Direction régionale des affaires culturelles (DRAC) of Grand Est.
Transformed into the 'Kommandantur' by the Nazis between 1940 and 1945, the building was recaptured by the troops of General Leclerc, who transformed it into their general headquarters. It was there that he wrote his proclamation announcing the realization of his oath at Kufra, proclaiming that he would fight until the French flag flew again over the cathedrals of Strasbourg and Metz.
Threatened with destruction in the 1970s, the palace, classified as monument historique since 1993, also houses the Direction régionale des Affaires culturelles of Alsace (DRAC Alsace).
In 2008, the Palais was used as the setting of the Paris Gestapo headquarters (in fact situated in the Hôtel Lutetia) for the shooting of the French TV mini-series "La Résistance".

Palais du Rhin

The Château de Wangenbourg is a ruined castle in the commune of Wangenbourg-Engenthal in the Bas-Rhin département of France.
In 1504, Holy Roman Emperor Maximilien I, having vanquished the Prince-elector, Philipp, in the war of succession of Bavaria, confiscated the castle from the cousins Hans and Stephan von Wangen for the count Tiestein, who himself gave it to the Archbishop of Strasbourg, Wilhelm III von Hohnstein, in 1516. Nevertheless, a branch of descendants of the von Wangens, Georg and Hartmann, continued to occupy the castle. Between 1535 and 1550, they reconstructed their logis in the Renaissance style.
From 1578, the Archbishop of Strasbourg and the lords of Wangen disputed property rights concerning the castle. The Wangens were expelled in 1578, but re-established their rights in 1595. In 1680, the castle was occupied by French troops. In 1702, it was in ruins.
Restoration of the castle started at the beginning of the 20th century, and again in 1931. The footbridge in the photograph was constructed in 1961 to replace the old drawbridge.
Remains
The vast polygonal enceinte is still visible, as well as the bases of the walls on the interior buildings. The castle ruins have been listed since 6 December 1898 as a monument historique by the French Ministry of Culture and is privately owned.

Château de Wangenbourg

The Château de Pourtalès was built around 1750 by the Bussière family, a wealthy Strasbourg industrial family, on the site of a country house. Especially in the years 1870 to 1914, at the invitation of the Comtesse Mélanie and Count Pourtalès, the European aristocracy and all kinds of celebrities met here at the Château.
Albert Schweitzer, Franz Liszt, Napoléon III, Empress Eugénie, the Princes of Belgium and Russia, Ludwig I of Bavaria, the Grand Duke of Baden or the Princes Metternich, to name but a few, came and went here.
With the two world wars it went steadily downhill. At first the castle was occupied by the Germans, later liberated by the Americans. After the Second World War, an Eastern European university was accommodated here for a short time, which, however, had to be closed again with the construction of the Berlin Wall.
The castle was almost demolished when Dr. Walter Leibrecht, the founder of Schiller International University, bought the building in 1972 and began reconstruction. For more than 25 years, students of Schiller International University were accommodated here. Since the transfer of the hotel management studies to Switzerland, the rooms are mainly available for guests. The Château de Pourtalès still welcomes guests from all over the world. It is available as a campus for students from international universities and has become a second home for many Members of the European Parliament during the session weeks.
https://www.chateau-pourtales.eu

Château de Pourtalès

The Château du Nideck is a ruined castle located in the commune of Oberhaslach in the Bas-Rhin département of France.
History
Situated on the heights of the road from Oberhaslach to Wangenbourg, the castle was first mentioned in a charter in 1264, as the property of sire Bourckard, burgrave of Nideck. In 1336 there is mention of a second castle, below the first, fief of the Bishop of Strasbourg and held by the landgraves of Basse-Alsace.
Nideck then became the property of the seigneurs of the region, in the 14th and 15th centuries, according to the various regional conflicts and other events of the time. It was besieged by the Strasbourgeois in 1448. The Müllenheim family took possession of the castle and kept it until 1509. It was finally destroyed by a fire in 1636.
The castle overlooks the Nideck waterfall and is easily reached on foot. The castle has been listed since 1898 by the French Ministry of Culture as a monument historique and is owned by the state.
The Legend of Nideck
In 1816 the legend of Nideck joined the fairy tales of the Brothers Grimm. This story inspired the poet Adalbert von Chamisso to write Das Riesenfräulein (The Giant's Daughter). The tale relates how the castle was inhabited by a couple of giants and their little daughter. Bored one day, she walked as far as the Alsace plains and found what she took to be some living toys. Once returned to the castle, her father explained to her that they were men and that they must be left in their place because they cultivated the land to feed the giants.

Château du Nideck

The Château de Hohbarr (French: Haut-Barr; German: Burg Hohbarr) is a medieval castle, first built in 1100, above the city of Saverne in what is now the French département of Bas-Rhin. It was built on sandstone rock 460m above the valley of Zorn and the plain of Alsace. Because of this, it has been called the eye of Alsace.
On several occasions it was expanded by the bishops of Strasbourg.
The Peace of Westphalia mandated the destruction of several castles, including Hohbarr, but after the beginning of the War of the Spanish Succession, in 1701, the fortress was back in use. It was abandoned in about 1770, but the vault continued to be occupied until the French Revolution.
Hohbarr has been listed as a monument historique by the French Ministry of Culture since 1874.

Château de Hohbarr

Chateau d'Oberhof is a former Episcopal palace located in the town of Saverne in Bas-Rhin. The Oberhof is the subject of a registration as a historic monument since April 21, 1934. The history of Oberhof is strongly related to the lower castle, the "Slos" current Rohan castle. Both castles were built inside the walls of the upper town. They have both served as residence to the bishops of Strasbourg. In 1417, Bishop William of Diest, driven from Strasbourg, Saverne is the administrative seat of his bishopric and sets his principal residence there. Bishop William III of Hohenstein undertaking joint work between the two castles. The set is transformed into a Renaissance castle. During the Thirty Years War, the castle was heavily damaged. François-Prince Bishop Egon Furstenberg rebuild the "Slos" as a palace he had enlarged between 1667 and 1670. As for Oberhof, it's partially demolished in 1680, during the construction of the Episcopal Regency, now sub-prefecture.
http://www.frenchchateau.net/chateaux-of-alsace/chateau-d-oberhof.html

Oberhof (château)

Rohan Castle (French: Château des Rohan, German: Rohan-Schloss), also known as Château Neuf (New Castle), is an eighteenth-century neoclassical palace in the city of Saverne in Alsace, France. It was one of the residences of Archbishops of Strasbourg, rulers of the Prince-Bishopric of Strasbourg, which was an ecclesiastical principality of the Holy Roman Empire from the 13th century until 1803. A series of members of the House of Rohan held the see in the 18th century. The 140 metre wide façade of red vosges sandstone is considered to be one of the most impressive examples of its kind.
The building was erected between 1780 and 1790 by the architect Nicolas Salins de Montfort on the site of the previous building, which had been built in 1670 and burned down in 1779. This previous building had in turn replaced the small Château Vieux (Old Castle) of 1417, which is still preserved today. That building saw two of the three marriages of Charles, Prince de Soubise; firstly in 1741 to Anne Therese of Savoy and secondly to Anne Victoire of Hesse-Rotenburg in 1745.
The architect of the new castle had been commissioned by the Strasbourg Prince-Bishop Louis René Édouard de Rohan-Guéméné, who also resided in the magnificent Rohan Palace in the city where he held office, as well as in the less stately Rohan Castle of Mutzig. In order to furnish the castle, Louis René assembled a vast collection of costly Qing porcelain and lacquerware. The surviving pieces of this collection are prominently displayed in the apartments of the Strasbourg palace.
By the time of the outbreak of the French Revolution, only the outside was completed. When cleric rule was abolished, the building lost both its owner and its function.
The gradual decline of the building was stopped under Napoleon III, who had it renovated and extended in the direction of the city. Already in 1853, the park was irrevocably cut and destroyed by the Marne-Rhine Canal. Since 1858, the castle houses a city museum (history, decorative arts, a large archaeological department), which was joined by the art and ethnographic collection of the politician Louise Weiss in the 20th century. Previously, the castle had served at times as a home for officers' widows and, after the Franco-Prussian War, as a barracks. Today, one of its wings is used as a youth hostel, and another houses the Espace Rohan, Saverne's 500 seat theatre and concert hall.
The castle is listed as a Monument historique since 1933 by the French Ministry of Culture.